We bring you a full report on the Chardonnay Masters 2019, including all the medallists, the names to watch, and the go-to regions for great barrel-fermented whites – Burgundy included, but Australia-dominated. Co-chair of the judges, Patrick Schmitt MW, reports
There are several benefits to the blind tasting format employed by our Global Wine Masters, which sees us sample entries by style and grape variety, rather than origin. One of these is to assess the overall quality and character of a category, be that a noble grape such as Chardonnay, or trending sector, from sparkling to rosé. Another is to isolate the great names and domains in the sector, including the best value producers along with those star, if sometimes pricy, performers. A further highly important element to our approach is to find out the hot spots for the type of wine being tasted. And, over the years, the Global Masters has drawn attention to a number of such areas, such as the excellence of pink wines from the Tuscan coast, the brilliance of Sauvignon from Styria, or Pinot Gris from Slovenia, while highlighting the rising quality of sparkling wines from Kent and Sussex, as well as the outstanding value of traditional method fizz from the Loire. There are many more that could be mentioned, such as the reliability of Clare Valley as the source of deliciously intense bone dry Riesling that doesn’t break the bank, or the brilliance of Cabernet Sauvignons from Sonoma, which tend to be a touch fresher, and a whole lot cheaper than the equivalents from neighbouring Napa.
Some of the greatest revelations have come from our Chardonnay tastings, which we’ve held annually since 2013. While such a competition has yielded so much discussion around winemaking techniques, such as the direct influence on style of picking dates, lees management, barrel regimes etc, we have devoted fewer words to the connection between place and quality, and so it’s this aspect to our results that I’m choosing to focus on this year, with a nod to past medallists from this major tasting.
And… if I am to pick out one overwhelming positive origin-based conclusion from these tastings, it is the excellence of Chardonnay from Australia, particularly Hunter and Yarra Valleys, along with Clare/Barossa, and Margaret River in the west of the country. The standout, however, has been the Adelaide Hills. I note this with a pang of sadness, aware that as much as one third of this area’s vineyards have been destroyed by the savage bushfires that swept through this beautiful area just before Christmas.
Over the years, we’ve seen Adelaide Hills deliver not just Australia’s top Chardonnays, but, relative to the global competition in the same price category, the best examples on the planet. As proof of the area’s excellence, in this year’s tasting, three of our six ‘Chardonnay Masters’ were from the Adelaide Hills (with a fourth also hailing from Australia). Examples from Penfolds using Adelaide Hills fruit have wowed in the past, but the most consistent wonders have hailed from Australian Vintage with Nepenthe, Tapanappa, with its Tiers vineyard in particular, and Bird in Hand with its Chardonnays at all levels. Indeed, after years of blind-tasting Chardonnay from around the world, I can say with confidence that a go-to place for fine, barrel-influenced Chardonnay is the Adelaide Hills, and bearing in mind the recent devastation of the region, I urge you to secure some stock from the great names mentioned above, both to benefit the region, but also yourself – prices are likely to go up.
I should also mention the other Australian Master in the 2019 tasting, which went to Clare Valley’s Taylor/Wakefield Wines. This producer, named after the Taylor family in Australia, but called Wakefield Wines abroad (due to trademark laws on the ‘Taylor’s’ brand from the Port producer by the same name), has been a big hitter with its Chardonnays in many of our tastings, but also with its Rieslings, Shirazes and Cabernets in our competitions for each one of these varieties. In short, I have been repeatedly impressed by the quality of their output.
Entry Deadline: Friday, 27th December 2024
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